If I told you that a flower bloomed in a dark room, would you trust it?

Kendrick Lamar


This line encapsulates the concept of a good kid in a bad city, and it cuts into one of the most moral questions in human existence: Can good come from evil? The best part about the line, as is true of the best poetry, is that it doesn’t answer the question it asks. For Kendrick’s immediate purposes, he’s the flower and the city is the dark room. The question is: Can you trust him?

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That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.

Dave Grohl  (via meggannn)

(Source: psych-facts, via tyaiamarie)

!!!!!

!!!!!

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That’s the problem with putting others first; you’ve taught them you come second.

read that, again. (via modernmethadone)

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Lust is Saturday night; love is Sunday morning.

Kid in my lit class (via unfadedlight)

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The free soul is rare, but you know it when you see it - basically because you feel good, very good, when you are near or with them.

Bukowski (via highenoughtoseethesea)

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Whatever comes, let it come. What stays, let it stay. What goes, let it go.

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(Source: psych-facts, via daisharris)

Just remember that sometimes, the way you think about a person isn’t the way they actually are.

John Green, Paper Towns (via ohteenscanrelate)

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Comparison is an act of violence against the self.

Maya Angelou (via lindsaybottos)

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The way the animals live, everybody envies them, because look, a cat, when it walks—did you ever see a cat making an aesthetic mistake. Did you ever see a badly formed cloud? Were the stars ever misarranged? When you watch the foam breaking on the seashore, did it ever make a bad pattern? Never. And yet we think in what we do, we make mistakes.

Alan Watts, The Nature of Consciousness (via happyasatree)

(Source: mymangotree, via 90olives)